HISTORIANS
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VIJAY SINGH NEGI
Vijay Singh Negi was born and
brought up in Mussoorie where his growing days turned into an attachment
with mountains, primarily with Garhwal. Vijay did B.Sc. from MPG College
Mussoorie and then did masters in Aero-mechanical Engineering but destiny
had something else stored for him. Things didn't work out on academic
career seeking due to some reasons and Vijay turned from habitual
photographer to a professional one. His passion for photography
intensified during shooting in Gunhill and eventually Vijay began
focusing inside Garhwal on an international level. Gradually, Vijay
decided to preserve the beauty and culture of Garhwal through his visual
insight. Soon Vijay began searching and researching on palaeography books
and material as he has a thorough understanding of Sanskrit. He believes
in reaching to a conclusion only through deep research and knowledge
about the given enigma as words can decipher many meanings. Vijay is
deeply obsessed with the Naag devta cult and the Mahabharata linkage with
the mountains and particularly with lord Shiva as he believes that Shiva
is the greatest philosopher and scientist on many of the aspects of the
mountains. Vijay has in-depth knowledge of many valley civilizations.
During his course of research and understanding, Vijay got immensely inspired
from Professor Bhaktadarshan, the first Education minister of Uttar
Pradesh and from Harbans Singh, the author of many volumes. Besides many
breathtaking black &white photographs of Mussoorie and Garhwal, the
treasure of Vijay as a historian of Garhwal and a chronicle on Mussoorie
includes some rare coins of the Amoghpati era. Vijay is seen as the
ultimate solution on any given dilemma. He intends to do so much for the
preservation of the history and culture of Mussoorie and Garhwal but
lacks funds to do the same.
JAI PRAKASH UTTARAKHANDI
Jai
Prakash Shah was honoured with the title 'Uttarakhandi', whiles the 1981
Uttarakhand Rally in Delhi, for his active involvement in the agitation for a
separate state of Uttarakhand during when he was jailed and tortured several
times. Uttarakhandi was born on 5th September 1953 in Sanrap village of Jaunpur
block of Tehri Garhwal. He went to Convent of Jesus and Mary Waverly for
primary education and later switched between Mussoorie and Dehradun for higher
studies. Uttarakhandi got passionate about literature after writing the play
'Apradhi Kaun' in the year 1972. He got into serious journalism with 'Dainik
vanguard' in the year 1976. Later he wrote hundreds of articles for dailies
like Amar Ujala, Dainik Jagran, Navbharat Times, Blitz, Jansatta, Ravivar and
Badrivishal. Ever since 1983, Uttarakhandi went into deep research work and
came up with his first book 'Mussoorie Dastavaz-1815-1995'. Soon he did a
compilation of ten short stories based on words of mouth in and around
Mussoorie which was published in Yugvani magazine. He received an award for his
research story 'Fattudas' in the year 1984. Pertaining to the history of
Mussoorie and Dehradun, 118 of his research work has been published so far.
Uttarakhandi then did a thorough research through 1985-1986
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Mussoorie the Queen of the Hills
Tuesday, 7 August 2012
HISTORIANS
THE MYSTIC OF JAUNPUR-JAUNSAAR
The great penance of Yamuna shaped Jaunpur-Jaunsaar with her
sweat giving the region a meaning. The awe inspiring beauty of the land
compelled Kauravas and the Pandavas to make it a sojourn and eventually the
seed of a unique lineage was sown. The ball game of Gendwa still beckons the
memories of chopping off a head in the ancient times. And the tales are still
narrated at nights by wrinkled faced elders gurgling hukka beside the cozy fire
of the chulha inside the pine fragrant and homemade wine scented wooden houses.
The mystic Jaunpur-Jaunsaar with its allies Rawaeen and Bhaabur collectively form a hidden buffer zone between the trio district of Tehri Garhwal, Dehradun and Uttarkashi with Sirmour district of Himachal Pradesh as the northern frontier. The Queen of the Hills Musoorie, Vikasnagar and Hatkoti in Himachal Pradesh are the three entry points to the region the scenic beauty and rich culture of which is certainly exclusive in the entire mountains. Primarily a tribal habitation, the region is home to the Brahmins, Rajputs and the collective clans of craftsmen, artisans and musicians all living together in remote areas of either side of Yamuna river which coins the name Jaunpur-Jaunsaar. The other river divide is that of the Tons river in Rawaeen which is one of the wildest rivers in Asia and is a major tributary of Yamuna uniting at Kalsi. It is Yamuna who cushions the turbulent Tons in her tolerant domain as she is the outcome of age's old patience.
THE ESSENCE OF ORIGIN
According to the local legends, Surya Dev married Sangya who couldn't stand the heat of the Sun god during intimacy and hence created her clone Chhaaya for the purpose without the consent of her consort. In course of time Chhaaya gave birth to Yama, the god of death, and Yamuna. Once while playing, Yama accidentally kicked Sangya who got annoyed to the extent that she cursed Yama of a rotten leg. Yamuna, who loved her brother dearly, went to the harshest region (the present Yamunotri site) to undergo age's long penance which ultimately got Yama out of the curse. Yama blessed his sister with the boon to continue flourishing lives and that a dip in her water would save from akaalmrityu or untimely death. Bhaiyya Dooj is celebrated hence. Jaunpur and Jaunsaar are two fertile zones on either side of Yamuna and the elders assert that Jaunpur-Jaunsaar literally means Jamuna Paar and Jamuna Saar respectively. Life begins and ends in Yamuna for the people of Jaunpur-Jaunsaar as for them it is not just a river, it is a heavenly bliss.
THE HISSSSTORY OF THE BELIEF
The serpent god is the prime deity of the region who is worshipped as both Naagraaj and as Bhadraaj or Balram, the elder brother of Lord Krishna. On of the major temples of Naagraaj is located at Kyaarkuli village on the Dehradun-Mussoorie highway and that of Bhadraaj Devta is situated on a mountain top near Mussoorie. The other ancient temples of Naagraaj are located at Naag Tibba, Naagthaat, Devalsari and the one at Untar village is one fine piece of architecture. However, the customs and rituals clearly indicates the influence of the Pandavas in the region and practices like polyandry is still in vogue in the remote areas. The ASI protected Shiva temple at Lakhamandal in Jaunsaar is believed to have been built by the Pandavas and the area is often linked by some with the Laakshagriha conspiracy. Hundreds and hundreds of stone Shivalinga are still being unearthed from around the temple and village which supports the Puranic belief that the Pandavas built one Lakh Shivalinga to get out of the curse of Guru Hatya during the great war of Mahabharata. Later, the five brothers with their consort Draupadi moved towards the Swargarohini peak which dominates the Harkidun meadow in Rawaeen. On the other hand, the Harkidun valley is believed to be the domain of Duryodhana and Karna who spent a considerable span of time around the valley. The Someshwar temples at Mori, Netwaar, Saur, Osla, Dhaatmeer, Jakhol and the villages apart the Karmanaasha and Supin rivers were built by Duryodhana and Karna as indicates the temple plaques. Some elders believe that it is Duryodhana and Karna who were worshipped as gods.
The other prime deity of this divine land is Mahaasu Devta, a manifestation of Lord Shiva, who is one furious god of justice. Mahaasu Devta was called upon by the people from his seat in Kashmir to settle score with the demons and evil intensions that haunted them. The major temples of Mahaasu Devta are at Hanol near Mori, Biroud near Nainbaag and Lakhwaar near Mussoorie. An enormous procession is held each year during September as thanks giving to the lord who devastated the evil and brought a fair deal.
FAIR GAMES
Jaunpur-Jaunsaar-Rawaeen-Bhaabur is the land of fairs and festivals the colors and joviality of which keeps embracing the calm of the mountains all the year round.
ROJ ROJ MAROJ:
Maagh ka Mela or Maroj knocks the door during the whole month of January when the crisp winter Sun brings along the much needed warmth after the long chilly nights. The tired terraced fields go for a prolonged sleep under the thick blanket of soft snow. There is no work to do and the spirits are high. At dawn, the smoke coming out of the kitchen chimneys through granite slab roofs of wooden houses gel together with the morning vapors to ward off silence from the valleys. And it really works as the menu of the day remains mutton, mutton and mutton be it chili salt roasted with boiled sweet potatoes, pan fried with choice of green or red chutney or the Pahaari way flavored curry. Even the infants with no teeth are made to taste some. No work means no work which saves time for the major work for the preparation of excellent homemade herbs and grains wine. Within no time, the Sun gladly becomes the focus light and gaiety enthralls. Eating, drinking and social visits brings the Sun for a rest and huge bonfires lay the carpet for the virgin evening. The voice of the dusk echoes with sounds of laughter, whistling and distant efforts of heaving while the baajgi basks his drum skin beside fire. Raasu, Tandi and Pandava dance revolves around the fire and the evening matures into a satisfied night.
DUBDEE, THE FIRST FEED:
Dubdee, which is probably taken from the word Dub ( a grass), is a harvest celebration in which a bunch of the first ready crops of the season is worshipped by the womenfolk and plundered later by the men folk amidst continuous vigorous drum beats. Both men and women dance throughout the night later. Dubdee is a phenomenal procession in which a bunch of different crops, which grow in the region, is erected in a small field. Around 9 O'clock in the night, excitement takes over the sounds of the cicada and the crickets as people start gathering at the field after hearing a typical drum beat. The village informer or announcer called 'Pari' then shouts in a typical rhythmic tone- "Gaon ki Rehne… Dubdee pujene aijaao…" meaning come on all the Rehne or daughter-in-law to worship Dubdee. The Rehne start gathering in all their finery. Only the Rehne or daughter-in-law of the village worship Dubdee. The Dhyaane or the daughters of the village join later in singing and dancing. According to the belief, Dubdee is also seen as a Dhyaane or daughter of the village who was prohibited by her in-laws to go to her village to witness Dubdee, the first festival of the year. She later died. The curse of a Dhyaane can be devastating, commit any sin but never upset a Dhyaane believe the people of the region. In order to pacify her curse, the village Rehne worship that Dhyaane in the form of that bunch of crops singing the Dhyaane's last song- "Pehl ki Dubdee re tewaaraa, me bhai me to jaano desa" meaning the first festival Dubdee has come, I want to go to my village for the same. The men folk, who stand aside, sing in harmony-" Pehl ki Dubdee re tewaaraa, toun bhai jaane bhi ne dendaa" meaning, be it the first festival Dubdee, we are not letting you go. Women folk keeps fast that day, they only eat after the poojaa is done. They offer Pinoa, a mixture of different floor primarily Jhangora, to Dubdee. Pinoa is dipped in pure ghee and is eaten as Prashaad. Cooked rice and milk is also offered. Men folk wait anxiously to exploit the Dubdee once the women are through with poojaa while the Baajgee (the drummers) warm their drums beside fire, getting ready to throw energy through their beats. Soon after singing their last words, the women folk run off and the men folk attack Dubdee and with in no time, the bunch is reduced to the ground. Then goes the singing and dancing session from the field to the village Pandaal where all the villagers and guests participate. The whole village echoes with the sounds of joy overlooked by the pacified soul of the ever blessing Dhyaane.
MAHAASU JAAGDAA- THE ENLIGHTENING AWAKENING:
Every year on the Ganesh Chaturthi people from nearby villages and far gather for an enchanting night awakening locally known as "Jaagdaa" in praise of the great Mahaasu Devtaa at the temples of Lakhwaar in the Dehradun district and at Biroud in the adjoining Tehri Garhwal district. Mahaasu Devtaa, according to one belief, is one incarnations of "Mahaa Shiv" who along with his allies Raghunaath, Chaaldaa and Bothaa had come long time back in the Jaunpur-Jaunsaar region to get people rid off a demon named Kans. It is one belief that the demon named Kans had sealed the breasts of womenfolk of the region with metal locks in order to prevent any infant from feeding resulting in the infant's death. An episode in the Krishna Puraan supports this belief that Kans had a threat of life from the 8th kid of Devki, Kans's sister. This whole chaos could have been an attempt by Kans to make survival impossible for all the young ones in his region and in the neighboring provinces. The people of the region, when had enough of Kans's torture, called Mahaasu Devtaa from the highlands of Kashmir. Mahaasu Devtaa is one such deity of fury and anger that Kans couldn't continue his evil practices and never returned to the region. Ever since then, Mahaasu Devtaa has His seats or temples, at Hanol in the Tons river valley and at Lakhwaar and Biroud villages along with other villages in either sides of Yamuna river. Chaaldaa Devtaa, as His name suggests, is ever moving and never sits in one place for long. The grandeur of the majestic ancient images of the great lord is visible for people only once a year for two days and a night in between on Ganesh Chaturthi when people spend the days and night singing and dancing in trance with the Devtaa's Paalki. The Pandavas also dance in praise of the lord using the believer's bodies. Huge goats are offered to the lord not to be slaughtered but to be left in the wild later which remain unharmed by humans or the wild beasts. This mesmerizing procession keeps going on till 4 O'clock in the morning after which the Devtaa bathes in closed doors all by Himself unattended even by the temple priests. The next day, what flour is thrown in the air by the temple priest and later by the mob and who so ever comes under the shower of the flour is bound to visit the Jaagda each year.
THE BELATED DIWALI: People of the region celebrate Diwali, what they call Bagwaali, precisely one month after the Diwali that rest of India celebrates. They have their own peculiar customs which are cherished during the festival. An interesting story leads to the logic behind such a delay. According to the local belief, which has traveled through words of mouth, once a fierce battle ensued between the Raja of Kumoun and the Raja of Tehri. The Kumouni fighters, who were famous for their warfare, were in large number and were equipped with latest weapons. The Tehri Raja, on the other hand, was sharp in brains. He knew about his people in Jaunpur-Jaunsaar as most of the area falls in Tehri. There used to be 'Nau Gaja Bhad' (nine feet tall men) in some of the villages of Jaunpur-Jaunsaar. The Tehri Raja took along 'Bhad' from each of these villages to fight against the Kumouni army. Diwali was few days away and the 'Bhad' had gone out to fight against a violent army so the villager with little hope didn't celebrate Diwali. However the Tehri army won the battle and the 'Bhad' returned home a month after Diwali. Celebration was bound to take place to welcome the victorious 'Bhad' and to resume the paused Diwali. Ever since then, the people of Jaunpur-Jaunsaar follow the same regime. The Jaunpur-Jaunsaar Diwali embarks celebrations with a different kind of firework. On the first day womenfolk, while singing folk songs grind Jhangora and Kouni (types of rice) to prepare delicious cookies called 'Askey' after which the first day is known as. The night is spending munching, drinking Soor (homemade ale brewed with herbs and grains) and dancing. Notably, Pandava dance is the pride of the region. Next day is known as Pakodya as pakoda of various pulses are cooked, all the while munching, singing and dancing continues. The third day which falls on Amaavas Sankrant is known as Baraaj on which people spent the whole night making long ropes of Babaeen (kind of hay) to play Bhaand (tug of war) the next day, Huge sacks of dry weeds and crop leftovers, known as Dhimsiya, are first worshipped and then set to fire which sources fire to individual torches made out of Bhimal twigs. These torches are called Holday which people juggle around with in the fields. During the earlier days humans used to slide down a long rope from a hill top to the valley below carrying Holday in hands, thankfully the suicidal performance is now replaced by a human effigy. Forth day is the much awaited day of playing Bhaand (tug of war). The rope is considered as Naag Devta who is the prime deity of the region and hence it is made to purify in the village stream. Then follows a hilarious tug of war between men and womenfolk in which most of the time the womenfolk win. After the decisive game is over the rope is covered with a huge metal cover and is guarded the whole night or else it (the Devta) will run to other village, believes the villagers. The festival that begins late ends late as well. All the while munching, drinking and dancing continue.
Other fairs which keeps the spirits high throughout the year are Devgati ka mela (February-March), Bissu ka mela (April), Challi ka mela (3rd May), Asaad ka mela (July), Saawan ke mela (August) and Bhadraaj ka mela (16-17 August).
THE LEGEND OF THE CHOPPED OFF HEAD Netwaar in Rawaeen is the widest stretch in the Harkidun valley where the Rupin and Supin rivers unite to give birth to Tons. The turbulent confluence is silently overlooked by the ancient temple of Karna which is a fine masterpiece of Pahaari architecture. The otherwise quiet terraced fields witness aggression and often get stained with blood during the month of February when hundreds of men divided into two groups punch, kick and even thrash the opponent with sticks just to snatch and posses a ball which coins the occasion with the name Gendwa ka mela. The chaotic game symbolizes an incident of the past where a head of an individual of a particular group was chopped off by the other. The kin of the deceased wanted to posses the head which they were denied to and a scuffle ensued. Although barbaric, the men of the villages participate just for the fun of it and at the end of the day, there are no hard feelings.
PARTY HARD WORK HARDER
The people of Jaunpur-Jaunsaar are primarily self sufficient farmers and have enough for a healthy sustainance. The bovine connection with Bhadraaj Devta has blessed them with immense livestock and milk and milk products. However, in the olden days, it was only salt for which they used to venture to places like Vikasnagar and barter salt with pure ghee as they never commercialized milk owing to the belief that it was the Devta's bliss. Eventually, they began trading milk products like ghee and curd along with fresh and organic vegetables that includes beans, cucumber, gourd, bitter gourd, pumpkin, lady finger, radish, carrot, buck weed, corn, walnut, fern and wild mushroom. The humble villagers would wake up at 4 in the morning and would walk with their ponies laden with fresh pick to distant places like Nainbaag, Mussoorie and Vikasnagar. Gradually, the commercialization got intensified and excellent yields like Rajma, rice, wheat, potato, pea, culath, jhangora and gainth became popular all over the neighboring districts. Ponies got to get some rest giving way to loader jeeps some of which flattens because of overload while the ponies watch amusingly clapping their long ears and munching gur-chana. The horticulture of the region is going great guns too and the goods are finding place in the metros. Some of the private orchards are producing top grade fruits and by products out of Rhododendron, apple, apricot, plum, kiwi, pear, peach, mango, strawberry and the wild berries and flowers. Floriculture is also in full swing and the flowers from the nursery at Bhilaru forest would adorn the Commonwealth games in New Delhi. The cottage industry incorporating trees like Gainthi (for utensils and furniture), Bhimal (for toiletries and fiber) and Himrai (for medicinal use) and the multipurpose Ringaal is one promising avenue to fetch self employment and big time revenue.
PARADISE REVEALED
Tourism is the latest opportunity to boost the economy in the region. Although the Yamunotri highway snakes along against the flow of the gorgeous Yamuna, the Jaunpur-Jaunsaar long remained isolated and unexplored due to same misconceptions of the past. The course of time has learned a lot from Yamuna and to date tourism is expanding in the region like her elaborated curves. The pristine Harkidun meadow in the lap of Swargarohini peak and the Jaundhaar glacier has emerged as one preferred destination among keen trekkers and botanists and the more adventurous climb the peak which remained prohibited to scale owing to religious significances. The skilled ones cross the Bharaasu pass and the Rupin pass to land into Chitkul in Sangla valley Himachal Pradesh. The Harkidun meadow is no less than the Valley of Flowers during monsoon. Considering the habitation of a healthy population of leopards, Himalayan black bears, antlers, giant squirrels, porcupines and other mammals, reptiles and birds, a part of the valley has been protected as Govind Wildlife Sanctuary which is a windfall gain for naturalists and environmentalists. A visit to the Ruinsara, Judaataal and Saruka lakes is worthwhile. Other destinations of tourist interests are Mahaasu temples at Hanol and Lakhwaar, the fruit orchards at Tiuni and Arakot, camping and rafting in Tons near Mori, the pine forest at Jarmola, the wide fields at Purola, the ASI Shiva temple at Lakhamandal, camping, rafting and angling in Yamuna, trekking to the tops of Naag Tibba and Naag Thaat, the tranquility at Chakrata and Kanasar with Tiger falls (one of the highest waterfalls in the country), ASI site Ashokan rock edict at Kalsi, Benog Mountain Quail Bird Sanctuary at Mussoorie, souvenir shopping at Purola, Nowgaon, Tiuni, Nainbaag, Vikasnagar, Kalsi and Mussoorie. There are GMVN guest houses and Forest Rest Houses all through the trails. There are neat, clean and reasonable private lodges also. In any case, food and shelter is not a constraint in Jaunpru-Jaunsaar because the hisssstory of the Naagraaj and the fierce judgment of Mahaasu Devta has kept the people humble and bowed. That is why there is no place like Jaunpur-Jaunsaar and that is why the Yamuna flows.
Tourism is the latest opportunity to boost the economy in the region. Although the Yamunotri highway snakes along against the flow of the gorgeous Yamuna, the Jaunpur-Jaunsaar long remained isolated and unexplored due to same misconceptions of the past. The course of time has learned a lot from Yamuna and to date tourism is expanding in the region like her elaborated curves. The pristine Harkidun meadow in the lap of Swargarohini peak and the Jaundhaar glacier has emerged as one preferred destination among keen trekkers and botanists and the more adventurous climb the peak which remained prohibited to scale owing to religious significances. The skilled ones cross the Bharaasu pass and the Rupin pass to land into Chitkul in Sangla valley Himachal Pradesh. The Harkidun meadow is no less than the Valley of Flowers during monsoon. Considering the habitation of a healthy population of leopards, Himalayan black bears, antlers, giant squirrels, porcupines and other mammals, reptiles and birds, a part of the valley has been protected as Govind Wildlife Sanctuary which is a windfall gain for naturalists and environmentalists. A visit to the Ruinsara, Judaataal and Saruka lakes is worthwhile. Other destinations of tourist interests are Mahaasu temples at Hanol and Lakhwaar, the fruit orchards at Tiuni and Arakot, camping and rafting in Tons near Mori, the pine forest at Jarmola, the wide fields at Purola, the ASI Shiva temple at Lakhamandal, camping, rafting and angling in Yamuna, trekking to the tops of Naag Tibba and Naag Thaat, the tranquility at Chakrata and Kanasar with Tiger falls (one of the highest waterfalls in the country), ASI site Ashokan rock edict at Kalsi, Benog Mountain Quail Bird Sanctuary at Mussoorie, souvenir shopping at Purola, Nowgaon, Tiuni, Nainbaag, Vikasnagar, Kalsi and Mussoorie. There are GMVN guest houses and Forest Rest Houses all through the trails. There are neat, clean and reasonable private lodges also. In any case, food and shelter is not a constraint in Jaunpru-Jaunsaar because the hisssstory of the Naagraaj and the fierce judgment of Mahaasu Devta has kept the people humble and bowed. That is why there is no place like Jaunpur-Jaunsaar and that is why the Yamuna flows.
THE MYSTIC OF JAUNPUR-JAUNSAAR
The great penance of Yamuna shaped Jaunpur-Jaunsaar with her
sweat giving the region a meaning. The awe inspiring beauty of the land
compelled Kauravas and the Pandavas to make it a sojourn and eventually the
seed of a unique lineage was sown. The ball game of Gendwa still beckons the
memories of chopping off a head in the ancient times. And the tales are still
narrated at nights by wrinkled faced elders gurgling hukka beside the cozy fire
of the chulha inside the pine fragrant and homemade wine scented wooden houses.
The mystic Jaunpur-Jaunsaar with its allies Rawaeen and Bhaabur collectively form a hidden buffer zone between the trio district of Tehri Garhwal, Dehradun and Uttarkashi with Sirmour district of Himachal Pradesh as the northern frontier. The Queen of the Hills Musoorie, Vikasnagar and Hatkoti in Himachal Pradesh are the three entry points to the region the scenic beauty and rich culture of which is certainly exclusive in the entire mountains. Primarily a tribal habitation, the region is home to the Brahmins, Rajputs and the collective clans of craftsmen, artisans and musicians all living together in remote areas of either side of Yamuna river which coins the name Jaunpur-Jaunsaar. The other river divide is that of the Tons river in Rawaeen which is one of the wildest rivers in Asia and is a major tributary of Yamuna uniting at Kalsi. It is Yamuna who cushions the turbulent Tons in her tolerant domain as she is the outcome of age's old patience.
THE ESSENCE OF ORIGIN
According to the local legends, Surya Dev married Sangya who couldn't stand the heat of the Sun god during intimacy and hence created her clone Chhaaya for the purpose without the consent of her consort. In course of time Chhaaya gave birth to Yama, the god of death, and Yamuna. Once while playing, Yama accidentally kicked Sangya who got annoyed to the extent that she cursed Yama of a rotten leg. Yamuna, who loved her brother dearly, went to the harshest region (the present Yamunotri site) to undergo age's long penance which ultimately got Yama out of the curse. Yama blessed his sister with the boon to continue flourishing lives and that a dip in her water would save from akaalmrityu or untimely death. Bhaiyya Dooj is celebrated hence. Jaunpur and Jaunsaar are two fertile zones on either side of Yamuna and the elders assert that Jaunpur-Jaunsaar literally means Jamuna Paar and Jamuna Saar respectively. Life begins and ends in Yamuna for the people of Jaunpur-Jaunsaar as for them it is not just a river, it is a heavenly bliss.
THE HISSSSTORY OF THE BELIEF
The serpent god is the prime deity of the region who is worshipped as both Naagraaj and as Bhadraaj or Balram, the elder brother of Lord Krishna. On of the major temples of Naagraaj is located at Kyaarkuli village on the Dehradun-Mussoorie highway and that of Bhadraaj Devta is situated on a mountain top near Mussoorie. The other ancient temples of Naagraaj are located at Naag Tibba, Naagthaat, Devalsari and the one at Untar village is one fine piece of architecture. However, the customs and rituals clearly indicates the influence of the Pandavas in the region and practices like polyandry is still in vogue in the remote areas. The ASI protected Shiva temple at Lakhamandal in Jaunsaar is believed to have been built by the Pandavas and the area is often linked by some with the Laakshagriha conspiracy. Hundreds and hundreds of stone Shivalinga are still being unearthed from around the temple and village which supports the Puranic belief that the Pandavas built one Lakh Shivalinga to get out of the curse of Guru Hatya during the great war of Mahabharata. Later, the five brothers with their consort Draupadi moved towards the Swargarohini peak which dominates the Harkidun meadow in Rawaeen. On the other hand, the Harkidun valley is believed to be the domain of Duryodhana and Karna who spent a considerable span of time around the valley. The Someshwar temples at Mori, Netwaar, Saur, Osla, Dhaatmeer, Jakhol and the villages apart the Karmanaasha and Supin rivers were built by Duryodhana and Karna as indicates the temple plaques. Some elders believe that it is Duryodhana and Karna who were worshipped as gods.
The other prime deity of this divine land is Mahaasu Devta, a manifestation of Lord Shiva, who is one furious god of justice. Mahaasu Devta was called upon by the people from his seat in Kashmir to settle score with the demons and evil intensions that haunted them. The major temples of Mahaasu Devta are at Hanol near Mori, Biroud near Nainbaag and Lakhwaar near Mussoorie. An enormous procession is held each year during September as thanks giving to the lord who devastated the evil and brought a fair deal.
FAIR GAMES
Jaunpur-Jaunsaar-Rawaeen-Bhaabur is the land of fairs and festivals the colors and joviality of which keeps embracing the calm of the mountains all the year round.
ROJ ROJ MAROJ:
Maagh ka Mela or Maroj knocks the door during the whole month of January when the crisp winter Sun brings along the much needed warmth after the long chilly nights. The tired terraced fields go for a prolonged sleep under the thick blanket of soft snow. There is no work to do and the spirits are high. At dawn, the smoke coming out of the kitchen chimneys through granite slab roofs of wooden houses gel together with the morning vapors to ward off silence from the valleys. And it really works as the menu of the day remains mutton, mutton and mutton be it chili salt roasted with boiled sweet potatoes, pan fried with choice of green or red chutney or the Pahaari way flavored curry. Even the infants with no teeth are made to taste some. No work means no work which saves time for the major work for the preparation of excellent homemade herbs and grains wine. Within no time, the Sun gladly becomes the focus light and gaiety enthralls. Eating, drinking and social visits brings the Sun for a rest and huge bonfires lay the carpet for the virgin evening. The voice of the dusk echoes with sounds of laughter, whistling and distant efforts of heaving while the baajgi basks his drum skin beside fire. Raasu, Tandi and Pandava dance revolves around the fire and the evening matures into a satisfied night.
DUBDEE, THE FIRST FEED:
Dubdee, which is probably taken from the word Dub ( a grass), is a harvest celebration in which a bunch of the first ready crops of the season is worshipped by the womenfolk and plundered later by the men folk amidst continuous vigorous drum beats. Both men and women dance throughout the night later. Dubdee is a phenomenal procession in which a bunch of different crops, which grow in the region, is erected in a small field. Around 9 O'clock in the night, excitement takes over the sounds of the cicada and the crickets as people start gathering at the field after hearing a typical drum beat. The village informer or announcer called 'Pari' then shouts in a typical rhythmic tone- "Gaon ki Rehne… Dubdee pujene aijaao…" meaning come on all the Rehne or daughter-in-law to worship Dubdee. The Rehne start gathering in all their finery. Only the Rehne or daughter-in-law of the village worship Dubdee. The Dhyaane or the daughters of the village join later in singing and dancing. According to the belief, Dubdee is also seen as a Dhyaane or daughter of the village who was prohibited by her in-laws to go to her village to witness Dubdee, the first festival of the year. She later died. The curse of a Dhyaane can be devastating, commit any sin but never upset a Dhyaane believe the people of the region. In order to pacify her curse, the village Rehne worship that Dhyaane in the form of that bunch of crops singing the Dhyaane's last song- "Pehl ki Dubdee re tewaaraa, me bhai me to jaano desa" meaning the first festival Dubdee has come, I want to go to my village for the same. The men folk, who stand aside, sing in harmony-" Pehl ki Dubdee re tewaaraa, toun bhai jaane bhi ne dendaa" meaning, be it the first festival Dubdee, we are not letting you go. Women folk keeps fast that day, they only eat after the poojaa is done. They offer Pinoa, a mixture of different floor primarily Jhangora, to Dubdee. Pinoa is dipped in pure ghee and is eaten as Prashaad. Cooked rice and milk is also offered. Men folk wait anxiously to exploit the Dubdee once the women are through with poojaa while the Baajgee (the drummers) warm their drums beside fire, getting ready to throw energy through their beats. Soon after singing their last words, the women folk run off and the men folk attack Dubdee and with in no time, the bunch is reduced to the ground. Then goes the singing and dancing session from the field to the village Pandaal where all the villagers and guests participate. The whole village echoes with the sounds of joy overlooked by the pacified soul of the ever blessing Dhyaane.
MAHAASU JAAGDAA- THE ENLIGHTENING AWAKENING:
Every year on the Ganesh Chaturthi people from nearby villages and far gather for an enchanting night awakening locally known as "Jaagdaa" in praise of the great Mahaasu Devtaa at the temples of Lakhwaar in the Dehradun district and at Biroud in the adjoining Tehri Garhwal district. Mahaasu Devtaa, according to one belief, is one incarnations of "Mahaa Shiv" who along with his allies Raghunaath, Chaaldaa and Bothaa had come long time back in the Jaunpur-Jaunsaar region to get people rid off a demon named Kans. It is one belief that the demon named Kans had sealed the breasts of womenfolk of the region with metal locks in order to prevent any infant from feeding resulting in the infant's death. An episode in the Krishna Puraan supports this belief that Kans had a threat of life from the 8th kid of Devki, Kans's sister. This whole chaos could have been an attempt by Kans to make survival impossible for all the young ones in his region and in the neighboring provinces. The people of the region, when had enough of Kans's torture, called Mahaasu Devtaa from the highlands of Kashmir. Mahaasu Devtaa is one such deity of fury and anger that Kans couldn't continue his evil practices and never returned to the region. Ever since then, Mahaasu Devtaa has His seats or temples, at Hanol in the Tons river valley and at Lakhwaar and Biroud villages along with other villages in either sides of Yamuna river. Chaaldaa Devtaa, as His name suggests, is ever moving and never sits in one place for long. The grandeur of the majestic ancient images of the great lord is visible for people only once a year for two days and a night in between on Ganesh Chaturthi when people spend the days and night singing and dancing in trance with the Devtaa's Paalki. The Pandavas also dance in praise of the lord using the believer's bodies. Huge goats are offered to the lord not to be slaughtered but to be left in the wild later which remain unharmed by humans or the wild beasts. This mesmerizing procession keeps going on till 4 O'clock in the morning after which the Devtaa bathes in closed doors all by Himself unattended even by the temple priests. The next day, what flour is thrown in the air by the temple priest and later by the mob and who so ever comes under the shower of the flour is bound to visit the Jaagda each year.
THE BELATED DIWALI: People of the region celebrate Diwali, what they call Bagwaali, precisely one month after the Diwali that rest of India celebrates. They have their own peculiar customs which are cherished during the festival. An interesting story leads to the logic behind such a delay. According to the local belief, which has traveled through words of mouth, once a fierce battle ensued between the Raja of Kumoun and the Raja of Tehri. The Kumouni fighters, who were famous for their warfare, were in large number and were equipped with latest weapons. The Tehri Raja, on the other hand, was sharp in brains. He knew about his people in Jaunpur-Jaunsaar as most of the area falls in Tehri. There used to be 'Nau Gaja Bhad' (nine feet tall men) in some of the villages of Jaunpur-Jaunsaar. The Tehri Raja took along 'Bhad' from each of these villages to fight against the Kumouni army. Diwali was few days away and the 'Bhad' had gone out to fight against a violent army so the villager with little hope didn't celebrate Diwali. However the Tehri army won the battle and the 'Bhad' returned home a month after Diwali. Celebration was bound to take place to welcome the victorious 'Bhad' and to resume the paused Diwali. Ever since then, the people of Jaunpur-Jaunsaar follow the same regime. The Jaunpur-Jaunsaar Diwali embarks celebrations with a different kind of firework. On the first day womenfolk, while singing folk songs grind Jhangora and Kouni (types of rice) to prepare delicious cookies called 'Askey' after which the first day is known as. The night is spending munching, drinking Soor (homemade ale brewed with herbs and grains) and dancing. Notably, Pandava dance is the pride of the region. Next day is known as Pakodya as pakoda of various pulses are cooked, all the while munching, singing and dancing continues. The third day which falls on Amaavas Sankrant is known as Baraaj on which people spent the whole night making long ropes of Babaeen (kind of hay) to play Bhaand (tug of war) the next day, Huge sacks of dry weeds and crop leftovers, known as Dhimsiya, are first worshipped and then set to fire which sources fire to individual torches made out of Bhimal twigs. These torches are called Holday which people juggle around with in the fields. During the earlier days humans used to slide down a long rope from a hill top to the valley below carrying Holday in hands, thankfully the suicidal performance is now replaced by a human effigy. Forth day is the much awaited day of playing Bhaand (tug of war). The rope is considered as Naag Devta who is the prime deity of the region and hence it is made to purify in the village stream. Then follows a hilarious tug of war between men and womenfolk in which most of the time the womenfolk win. After the decisive game is over the rope is covered with a huge metal cover and is guarded the whole night or else it (the Devta) will run to other village, believes the villagers. The festival that begins late ends late as well. All the while munching, drinking and dancing continue.
Other fairs which keeps the spirits high throughout the year are Devgati ka mela (February-March), Bissu ka mela (April), Challi ka mela (3rd May), Asaad ka mela (July), Saawan ke mela (August) and Bhadraaj ka mela (16-17 August).
THE LEGEND OF THE CHOPPED OFF HEAD Netwaar in Rawaeen is the widest stretch in the Harkidun valley where the Rupin and Supin rivers unite to give birth to Tons. The turbulent confluence is silently overlooked by the ancient temple of Karna which is a fine masterpiece of Pahaari architecture. The otherwise quiet terraced fields witness aggression and often get stained with blood during the month of February when hundreds of men divided into two groups punch, kick and even thrash the opponent with sticks just to snatch and posses a ball which coins the occasion with the name Gendwa ka mela. The chaotic game symbolizes an incident of the past where a head of an individual of a particular group was chopped off by the other. The kin of the deceased wanted to posses the head which they were denied to and a scuffle ensued. Although barbaric, the men of the villages participate just for the fun of it and at the end of the day, there are no hard feelings.
PARTY HARD WORK HARDER
The people of Jaunpur-Jaunsaar are primarily self sufficient farmers and have enough for a healthy sustainance. The bovine connection with Bhadraaj Devta has blessed them with immense livestock and milk and milk products. However, in the olden days, it was only salt for which they used to venture to places like Vikasnagar and barter salt with pure ghee as they never commercialized milk owing to the belief that it was the Devta's bliss. Eventually, they began trading milk products like ghee and curd along with fresh and organic vegetables that includes beans, cucumber, gourd, bitter gourd, pumpkin, lady finger, radish, carrot, buck weed, corn, walnut, fern and wild mushroom. The humble villagers would wake up at 4 in the morning and would walk with their ponies laden with fresh pick to distant places like Nainbaag, Mussoorie and Vikasnagar. Gradually, the commercialization got intensified and excellent yields like Rajma, rice, wheat, potato, pea, culath, jhangora and gainth became popular all over the neighboring districts. Ponies got to get some rest giving way to loader jeeps some of which flattens because of overload while the ponies watch amusingly clapping their long ears and munching gur-chana. The horticulture of the region is going great guns too and the goods are finding place in the metros. Some of the private orchards are producing top grade fruits and by products out of Rhododendron, apple, apricot, plum, kiwi, pear, peach, mango, strawberry and the wild berries and flowers. Floriculture is also in full swing and the flowers from the nursery at Bhilaru forest would adorn the Commonwealth games in New Delhi. The cottage industry incorporating trees like Gainthi (for utensils and furniture), Bhimal (for toiletries and fiber) and Himrai (for medicinal use) and the multipurpose Ringaal is one promising avenue to fetch self employment and big time revenue.
PARADISE REVEALED
Tourism is the latest opportunity to boost the economy in the region. Although the Yamunotri highway snakes along against the flow of the gorgeous Yamuna, the Jaunpur-Jaunsaar long remained isolated and unexplored due to same misconceptions of the past. The course of time has learned a lot from Yamuna and to date tourism is expanding in the region like her elaborated curves. The pristine Harkidun meadow in the lap of Swargarohini peak and the Jaundhaar glacier has emerged as one preferred destination among keen trekkers and botanists and the more adventurous climb the peak which remained prohibited to scale owing to religious significances. The skilled ones cross the Bharaasu pass and the Rupin pass to land into Chitkul in Sangla valley Himachal Pradesh. The Harkidun meadow is no less than the Valley of Flowers during monsoon. Considering the habitation of a healthy population of leopards, Himalayan black bears, antlers, giant squirrels, porcupines and other mammals, reptiles and birds, a part of the valley has been protected as Govind Wildlife Sanctuary which is a windfall gain for naturalists and environmentalists. A visit to the Ruinsara, Judaataal and Saruka lakes is worthwhile. Other destinations of tourist interests are Mahaasu temples at Hanol and Lakhwaar, the fruit orchards at Tiuni and Arakot, camping and rafting in Tons near Mori, the pine forest at Jarmola, the wide fields at Purola, the ASI Shiva temple at Lakhamandal, camping, rafting and angling in Yamuna, trekking to the tops of Naag Tibba and Naag Thaat, the tranquility at Chakrata and Kanasar with Tiger falls (one of the highest waterfalls in the country), ASI site Ashokan rock edict at Kalsi, Benog Mountain Quail Bird Sanctuary at Mussoorie, souvenir shopping at Purola, Nowgaon, Tiuni, Nainbaag, Vikasnagar, Kalsi and Mussoorie. There are GMVN guest houses and Forest Rest Houses all through the trails. There are neat, clean and reasonable private lodges also. In any case, food and shelter is not a constraint in Jaunpru-Jaunsaar because the hisssstory of the Naagraaj and the fierce judgment of Mahaasu Devta has kept the people humble and bowed. That is why there is no place like Jaunpur-Jaunsaar and that is why the Yamuna flows.
Tourism is the latest opportunity to boost the economy in the region. Although the Yamunotri highway snakes along against the flow of the gorgeous Yamuna, the Jaunpur-Jaunsaar long remained isolated and unexplored due to same misconceptions of the past. The course of time has learned a lot from Yamuna and to date tourism is expanding in the region like her elaborated curves. The pristine Harkidun meadow in the lap of Swargarohini peak and the Jaundhaar glacier has emerged as one preferred destination among keen trekkers and botanists and the more adventurous climb the peak which remained prohibited to scale owing to religious significances. The skilled ones cross the Bharaasu pass and the Rupin pass to land into Chitkul in Sangla valley Himachal Pradesh. The Harkidun meadow is no less than the Valley of Flowers during monsoon. Considering the habitation of a healthy population of leopards, Himalayan black bears, antlers, giant squirrels, porcupines and other mammals, reptiles and birds, a part of the valley has been protected as Govind Wildlife Sanctuary which is a windfall gain for naturalists and environmentalists. A visit to the Ruinsara, Judaataal and Saruka lakes is worthwhile. Other destinations of tourist interests are Mahaasu temples at Hanol and Lakhwaar, the fruit orchards at Tiuni and Arakot, camping and rafting in Tons near Mori, the pine forest at Jarmola, the wide fields at Purola, the ASI Shiva temple at Lakhamandal, camping, rafting and angling in Yamuna, trekking to the tops of Naag Tibba and Naag Thaat, the tranquility at Chakrata and Kanasar with Tiger falls (one of the highest waterfalls in the country), ASI site Ashokan rock edict at Kalsi, Benog Mountain Quail Bird Sanctuary at Mussoorie, souvenir shopping at Purola, Nowgaon, Tiuni, Nainbaag, Vikasnagar, Kalsi and Mussoorie. There are GMVN guest houses and Forest Rest Houses all through the trails. There are neat, clean and reasonable private lodges also. In any case, food and shelter is not a constraint in Jaunpru-Jaunsaar because the hisssstory of the Naagraaj and the fierce judgment of Mahaasu Devta has kept the people humble and bowed. That is why there is no place like Jaunpur-Jaunsaar and that is why the Yamuna flows.
MORI
Area (sq. km): ?
Altitude :
Population : ?
STD code :
Distance : 173km from Dehradun, 408 km from Delhi.
Altitude :
Population : ?
STD code :
Distance : 173km from Dehradun, 408 km from Delhi.
Mori is the gateway of the
mesmerizing Harkidun Valley which is dominated by the Swargarohini peak, the
Jaundhar glacier and the Bharasu pass that leads to Chitkul in the Sangla
valley in the Himachal Pradesh. The Yamuna river valley ends at Nowgaon form
where one road diverts to Yamunotri while the other enters Purola. Jarmola
Dhar ahead of Purola is one of the most beautiful pine forested areas in the
entire state of Uttarakhand. The whole geography and the feel drastically
changes after the Jarmola pass and an amazingly beautiful region, almost a
complete new world, follows. This area of Jaunpur is known as Rawaein. This
stretch is picturesquely adorned with tiny village houses and a few
Van-gujjar (nomadic herdsmen) huts. The downhill route lands at the block of
Mori which is the dominion of the Tons Valley. One road goes to Himachal
Pradesh via Hanol and Tyuni from the Mori Barrier while the other enters the
mesmerizing Harkidun valley, the domain of Duryodhana and Karna of the epic
Mahabharata.
Around Mori:
Mori is the vantage point of some of the very less explored hidden wonders of nature that includes high altitude meadows, virgin glaciers, world famous peaks and distinct passes. Legend has it that Duryodhana and Karna of the epic Mahabharata had fallen in love with the beauty of the valley and had spent some time in the area seeking permission from Mahasu Devta. Their temples still dominate the villages of the valley.
• Netwar: Netwar is a small hamlet on the confluence of Rupin and Supin rivers which becomes Tons from here onwards. Netwar village is scenically located on the Harkidun road which runs parallel to the Supin River which comes from Sankri Village. The people of the area speak a dialect which is very discrete from the rest of the Jaunpur-Jausaar region. A temple of Karna is one peculiarity of the village. Netwar is the starting point for the Rupin pass trek which goes through the unique tribal villages of Dodra-Kwaar. Netwar is also the entry point for the Govind Wildlife Sanctuary that inhabits 11 mammals and 150 bird species. The sanctuary entry fee for Indians is Rs 30 for Indians and Rs 350 for foreigners for 3 days which exceeds to Rs 20 and Rs 175 respectively for each additional day. A GMVN guest house and a Forest Rest House stand isolated next to the village.
• Sankri: Sankri village is the road end for the trek further to the Harkidun valley, Bharasu pass and Ruinsara Lake, Kedarkanta peak, Jakhol village and Saruka Lake. However, a dirt track, which is trodden by the local jeep drivers only, takes further 11km to the village of Taluka. Sankri village is adjacent to the much populated Saur village which is perched atop the confluence of Obragaad stream and the Karmanasha stream which originates from the Harkidun meadow. The logically designed deodar wooded house makes it a visual delight. There is one GMVN guest house and a Forest Rest house at Sankri. The temple of Duryodhana stands in the middle of Saur village.
• Kedarkanta and Judatal: A steep 5km trek atop Saur village takes to the breathtaking meadow of the Kedarkanta peak which provides a commanding view of the entire Rawaein region and the grater Himalayan wall. The tiny Judatal Lake is beautifully located en route amidst thick forest just a km from Saur village.
• Jakhol village and Saruka Lake: Jakhol village is the biggest and probably the oldest village of the entire Harkidun valley. All the deodar wooded houses are layered with stone slab roofs. A diversion about 2 km before Sankri leads to Jakhol village after crossing the iron bridge over the Karmanasha stream. The serpent stretch of about 500 meters after the bridge is very narrow and spine chilling, a good deal for the adventurous spirited ones. The temple of Duryodhana stands in the middle of the village. A gradual ascent of about 2 km leads to beautiful Saruka Lake which is also the water hole for the wild beasts and other mammals of the region. The lake is also an important ritual site for the locals. Jakhol is also one of the routes to the Sirga top and Sirga village which give a fantastic view of the region. A GMVN guest house and a Forest Rest House are perched over the village.
• Taluka village: Taluka village is an amazingly beautiful site 11km from Sankri on the Harkidun route. The lush buck weed fields amidst wooden houses make it a picture perfect sight. Local jeeps plea up till Taluka only and it is all trekking route beyond this point. A few minutes walk from Taluka takes to a diversion of routes which unite again after 6 km at Gangaar village. An almost leveled surface track along the Karmanasha stream takes to the village of Gangaar while a steep climb form the diversion takes to the hidden village of Dhatmeer village from where a leveled surface and then a downhill route with numerous streams leads to Gangaar village from where a 4 km trek leads to Seema, the last habitation in the route. There are GMVN rest house and Forest Rest House at Taluka.
• Seema: Seema is a small junction of routes for the Ruinsara Lake, the overlooking Osla village and for the Harkidun meadow. There are small wooden eating joints at Seema which are lined across the GMVN guest house and the Forest Rest House.
• Harkidun: An 8 km trek from Seema takes to the heavenly picturesque and very less explored Harkidun meadow (3565 m), the abode of the Swargarohini peak (6096 m), Jaundhar glacier and Bharasu pass. The vast meadow of Harkidun is adorned with tall alpine trees and is intersected by the Karmanasha stream. The variety and density of wild flowers during monsoon ranks Harkidun next to the Valley of Flowers. The only man made structures in the Harkidun valley is the GMVN guest house which stands a few hundred meters from the Forest Rest House. On the eastern side of the valley stands the majestic Swargarohini peak over the Jaundhar glacier while the vast meadow in the north takes to the Bharasu pass which leads to the Sangla Valley of Himachal Pradesh. It is a belief that the Harkidun valley is inhabited by celestial beings and fairies.
• Ruinsara Lake: An enchanting 11km route from Seema leads to the awe inspiring Ruinsara Lake which is picturesquely located on an isolated meadow. The trek is a gradual ascent with walk on a level surface crossing numerous streams and the beautiful meadow of Debsu Thatch which tempts for camping. There is no place for a night halt, however there is ample space for camping and a rock shelter also provided the trek is made well equipped advisably with a trained guide. The south-west direction of the lake takes to the difficult Yamuna Kanta pass which leads to Yamunotri. The surrounding includes the majestic Bandarpoonch peak (6387m), a walk further brings to Kiarkoti surrounded by Swargarohini peak (6000m), Dhumdhar Kandi (5873m), Kala Naag (6387m) and the White Peak (6102m).
Mori is the vantage point of some of the very less explored hidden wonders of nature that includes high altitude meadows, virgin glaciers, world famous peaks and distinct passes. Legend has it that Duryodhana and Karna of the epic Mahabharata had fallen in love with the beauty of the valley and had spent some time in the area seeking permission from Mahasu Devta. Their temples still dominate the villages of the valley.
• Netwar: Netwar is a small hamlet on the confluence of Rupin and Supin rivers which becomes Tons from here onwards. Netwar village is scenically located on the Harkidun road which runs parallel to the Supin River which comes from Sankri Village. The people of the area speak a dialect which is very discrete from the rest of the Jaunpur-Jausaar region. A temple of Karna is one peculiarity of the village. Netwar is the starting point for the Rupin pass trek which goes through the unique tribal villages of Dodra-Kwaar. Netwar is also the entry point for the Govind Wildlife Sanctuary that inhabits 11 mammals and 150 bird species. The sanctuary entry fee for Indians is Rs 30 for Indians and Rs 350 for foreigners for 3 days which exceeds to Rs 20 and Rs 175 respectively for each additional day. A GMVN guest house and a Forest Rest House stand isolated next to the village.
• Sankri: Sankri village is the road end for the trek further to the Harkidun valley, Bharasu pass and Ruinsara Lake, Kedarkanta peak, Jakhol village and Saruka Lake. However, a dirt track, which is trodden by the local jeep drivers only, takes further 11km to the village of Taluka. Sankri village is adjacent to the much populated Saur village which is perched atop the confluence of Obragaad stream and the Karmanasha stream which originates from the Harkidun meadow. The logically designed deodar wooded house makes it a visual delight. There is one GMVN guest house and a Forest Rest house at Sankri. The temple of Duryodhana stands in the middle of Saur village.
• Kedarkanta and Judatal: A steep 5km trek atop Saur village takes to the breathtaking meadow of the Kedarkanta peak which provides a commanding view of the entire Rawaein region and the grater Himalayan wall. The tiny Judatal Lake is beautifully located en route amidst thick forest just a km from Saur village.
• Jakhol village and Saruka Lake: Jakhol village is the biggest and probably the oldest village of the entire Harkidun valley. All the deodar wooded houses are layered with stone slab roofs. A diversion about 2 km before Sankri leads to Jakhol village after crossing the iron bridge over the Karmanasha stream. The serpent stretch of about 500 meters after the bridge is very narrow and spine chilling, a good deal for the adventurous spirited ones. The temple of Duryodhana stands in the middle of the village. A gradual ascent of about 2 km leads to beautiful Saruka Lake which is also the water hole for the wild beasts and other mammals of the region. The lake is also an important ritual site for the locals. Jakhol is also one of the routes to the Sirga top and Sirga village which give a fantastic view of the region. A GMVN guest house and a Forest Rest House are perched over the village.
• Taluka village: Taluka village is an amazingly beautiful site 11km from Sankri on the Harkidun route. The lush buck weed fields amidst wooden houses make it a picture perfect sight. Local jeeps plea up till Taluka only and it is all trekking route beyond this point. A few minutes walk from Taluka takes to a diversion of routes which unite again after 6 km at Gangaar village. An almost leveled surface track along the Karmanasha stream takes to the village of Gangaar while a steep climb form the diversion takes to the hidden village of Dhatmeer village from where a leveled surface and then a downhill route with numerous streams leads to Gangaar village from where a 4 km trek leads to Seema, the last habitation in the route. There are GMVN rest house and Forest Rest House at Taluka.
• Seema: Seema is a small junction of routes for the Ruinsara Lake, the overlooking Osla village and for the Harkidun meadow. There are small wooden eating joints at Seema which are lined across the GMVN guest house and the Forest Rest House.
• Harkidun: An 8 km trek from Seema takes to the heavenly picturesque and very less explored Harkidun meadow (3565 m), the abode of the Swargarohini peak (6096 m), Jaundhar glacier and Bharasu pass. The vast meadow of Harkidun is adorned with tall alpine trees and is intersected by the Karmanasha stream. The variety and density of wild flowers during monsoon ranks Harkidun next to the Valley of Flowers. The only man made structures in the Harkidun valley is the GMVN guest house which stands a few hundred meters from the Forest Rest House. On the eastern side of the valley stands the majestic Swargarohini peak over the Jaundhar glacier while the vast meadow in the north takes to the Bharasu pass which leads to the Sangla Valley of Himachal Pradesh. It is a belief that the Harkidun valley is inhabited by celestial beings and fairies.
• Ruinsara Lake: An enchanting 11km route from Seema leads to the awe inspiring Ruinsara Lake which is picturesquely located on an isolated meadow. The trek is a gradual ascent with walk on a level surface crossing numerous streams and the beautiful meadow of Debsu Thatch which tempts for camping. There is no place for a night halt, however there is ample space for camping and a rock shelter also provided the trek is made well equipped advisably with a trained guide. The south-west direction of the lake takes to the difficult Yamuna Kanta pass which leads to Yamunotri. The surrounding includes the majestic Bandarpoonch peak (6387m), a walk further brings to Kiarkoti surrounded by Swargarohini peak (6000m), Dhumdhar Kandi (5873m), Kala Naag (6387m) and the White Peak (6102m).
Monday, 6 August 2012
YAMUNOTRI
Area (sq. km): ?
Altitude : 3323m Population : ? STD code : Distance : 175 km from Dehradun
Traditionally the first of the
Char-Dham of Uttarakhand, Yamunotri is the iconic source of the holy river
Yamuna. However, the actual source of the river is the Champasar glacier near
the Saptrishi Kund of the eastern face of the Bandarpoonch peak. In the year
1816 British Army officer and world famous lithographer Sir James Frazer
depicted the 3 feet tall temple with a priest performing pooja. Later the
temple was rebuilt by the Maharaja of Tehri Sudarshan Shah around the year
1850. The temple was damaged several times owing to heavy snow. It was
finally rebuilt by Maharaja Pratap Shah of Tehri with a black stone image of
Yamuna and a white marble image of Ganga both worshipped as goddesses. An
interesting story leads to the descending of Yamuna on earth. According to
the legend, Surya Dev married Vishwakarma's daughter Sangya but she couldn't
bear the heat of Surya Dev while intimacy for long after giving birth to Yama
and Yamuna. She produced her clone Chhaya who could bear the heat owing to
her long and dense locks. Sangya asked Chhaya to keep the secret; Chhaya
agreed to the condition that nobody ever dishonor her hair. One day Yama
accidentally kicked Chhaya while playing; Chhaya cursed Yama of a rotten leg.
Surya Dev got furious and grabed Chhaya with her hair and the secret was
revealed as chhaya broke down. Yamuna, out of love for his brother, descended
down to earth to do penance to bring her brother out of the curse. Yamuna did
penance for years and got her brother Yama out of the curse. Yamuna was
blessed by her brother Yama, the god of death, with the omen that her
devotees would be barred from akalmrityu (untimely beath). The convention of
Bhai-Dooj came into being ever since then. Hence, it is still a belief that a
dip in Yamuna's holy water would exclude from akalmrityu. There are a few hot
water spring around the wooden temple out of which Suryakund is the prime one
which was offered by Surva Dev himself to his beloved daughter Yamuna as a
help to endeavor the harsh cold environ of the Kalind Parvat, the base of the
Yamunotri temple. Pilgrims today boil rice and potato tied in a piece of
cloth by dipping in the boiling water which cooks within minutes to savor as
Prasad. A black stone slab, Divya Shila, where a hot water spring shoots out
is worshipped first of all as the origin of the holy Yamuna. Pilgrims also
carry the holy water of Yamuna to offer to lord Krishna as Yamuna was one of
the queen's of the lord. A small stream near the temple is worshipped as
Ganga as according to the legends, sage Asit had his humble hermitage near
the temple. The sage was such a devotee of both heavenly rivers Yamuna and Ganga
that he would walk between the two every day to take divine bath in the holy
waters of both. Over the period of time when he couldn't continue because of
old age, it is said that Ganga herself appeared for her devotee near the
temple. The temple opens for pilgrims on the auspicious occasion of Akshay
Tritiya which fall around the last week of April to the first week of May.
The closing down ceremony of the temple follows on Yama Dwitiya or on
Bhai-Dooj, the second day of Diwali. The deity is then taken down to the
village of Kharsali near Jankichhatti (2576m) the natives of which are the
priests of the temple. The temple vicinity is then left by a complete hush
with only sound of gently flowing Yamuna dripping from the ice snouts and
rumbling through the pebbles.
Yamunotri Route: Yamunotri can be reached both from Rishikesh via Dharasu and the beautiful pine forest of Rari Ka Danda (2286 m) and from Mussoorie via the Yamuna valley through Nowgaon (1524 m). Both the roads meet at Barkot. • Barkot: Barkot (1828 m) is an upcoming township and is the last market on the route to Yamunotri. The town is beautifully located amidst buck weed fields, vast valley sliding down to the crystal clear energetically flowing Yamuna and the grand panorama of the distinctively beautiful Bandarpoonch massif. The fields of Barkot are famous for its Rajma, potato, pea, plum, pear, apple, apricot and walnut. From Barkot onwards, the picturesque route cruises against the vibrantly gushing Yamuna. • Sayanachatti: The stopovers at the pilgrim route in Uttarakhand are known as Chatti. Sayanachatti (1982 m) is one such small village for night halt on the Yamunotri route 30 km from Barkot. There are few eating joints along the road which also provide shelter for the night for a reasonable price, however, there is one GMVN guest house a little secluded from the roadside. • Hanumanchatti: Next stopover en route 5 km from Sayanachatti is Hanumanchatti (2134 m) which had long been the motor road end and the last point for tit-bit shopping. This little hub remains quite busy during pilgrimage and trekking season as it is also the starting point for the round trek to Dharwadhar which leads to Dodital Lake. The Hanumanchatti GMVN guest house is serenely located on the banks of the Yamuna. The road head has now been extended till Jankichatti. • Phoolchhatti: A short drive from Hanumanchatti leads through Phoolchatti (2561 m), a nature's wonder with exotic wild flowers, which is a visual delight during spring through monsoon. A GMVN guest house is perched in tranquility. • Jankichatti: Another short drive on tricky route takes to Jankichatti (2567 m) which is the last motor able point. Jankichatti is the busiest chatti in the entire route as the pilgrims have to return the same day from Yamunotri due to the limitations of a night halt shelter. The 6 km trek to the shrine is bliss with gigantic mountains, tall alpine trees, exotic Himalayan flora and the soul strumming sound of the young and playful Yamuna. The route ahead Jankichatti is narrow and quite adventurous. Pony and daandi (palanquin) are available for the easy movers for which a prior booking is advisable. • Saptrishi Kund: The actual source of the Yamuna lies on the Kalinda Parvat above the shrine the approach towards which is through a tricky steep climb of about over 1000 meters. The devoted pilgrims take a dip in the Saptrishi Kund before worship at the temple below. The lake vicinity provides an excellent view of the towering mountain ranges and the enchanting meadows. |
CHAKRATA
CULTURE AND HERITAGE
The quintessential culture of
Mussoorie region is a culmination of the influence of its settlers who
chronologically followed one after other. The beautiful ridge which we know as
Mussoorie was once a lush forest comprising oak, rhododendron and deodar where
the people of Bhatta and Kyarkuli villages, primarily Jaunpuri,
grazed their cattle. One particular shrub called Mansoor (cororiana
nepalensis) grew in abundance here hence the villagers named the ridge
Mansuri. It was during the year 1826 that Captain Frederick Young of the
Sirmour Rifles ventured out on a horse from Rajpur into the Mansuri ridge. As
the region was rich in exotic flora and fauna, Captain Young, along with Sir
F.J. Shore, built a shooting box around the Camel’s Back Road area.
Later, Captain Young made the first residential building in Mansuri which he
named Mullingaar after his county in Ireland. Talk about the newly found hill
resort spread like wild fire to the farthest of places and many more Britishers
including officers of the East India Company, renowned writers, artists and
entrepreneurs followed suit resulting in the establishment of the Landour and
Mussoorie township. Eventually Mansuri of the local hill folk became a haven
for pleasure and gaiety with the Queen of the Hills as its new identity. The
fun and galore that enthralled the days and nights of Mussoorie gradually lured
the princes and the nawabs of the Indian states who got built their impressive
chateaus and bungalows at striking locations in and around the town. Soon, the
Hillman from the villages of neighbouring Garhwal and Jaunpur-Jaunsaar,
businessmen community from the plains and the Gorkhali people began immigrating
in pursuit of commercial opportunities. The Bhotias are also one of the
settlers in Mussoorie. After the Chinese occupation of Tibet in the year 1959 a
number of Tibetans got settled forming their government in exile in the Happy
Valley area. However, the exemplary appeal of the Queen of the Hills
lies in the romance and charm of the colonial times which still beckons through
its tranquillity harbouring the humble way of living of the natives. Mansuri
has its mention in numerous Jaunpuri and Garhwali folk and contemporary lore
and songs. Primarily, the culture of a region is identified with its core
faith, fairs and festivals. As far as faith is concern, Mussoorie is guarded by
the Surkanda Devi in the east which is an inclination more of garhwal and by
the Bhadraaj Devta in the west who is the prime deity of Jaunpur. The fairs and
festivals includes of those of the Jaunpuris, Garhwalis, Vaishyas, Punjabis,
Muslims, Christians, Gorkhalis, Bhotias and Tibetans glorifying Mussoorie into
a harmonious zenith of a unique social setup.
HERITAGE
The Queen of the Hills is abundantly
adorned with the legacy and heritage which is about to complete 200 years of
existence. Most of the buildings and structures date back to the times of the
pioneer settlers of Mussoorie. The Mullingaar building, the residence of
Captain Frederick Young and the first residential building in Mussoorie, still
stands above Landour overlooking the town and the Doon valley. To bring pride
and honour to the queen of the Hills, the Oak grove School Building has been
listed in the UNESCO World Heritage Site. The list is really very long but the
heritage building to name a few includes the Hakman’s hotel, the Charliville,
the Library and the Criterion, the Velridge, the Lynndale, the Clouds End, the
Exchange, the Kilmarnock and the Kohinoor. The Galogi power station at
Bhatta village is the second hydro-electricity power station in the country
after Orissa. The Picture Palace or the Electric Picture Palace as it was then
called is the first picture hall in the country which was run with electricity.
The Christ Church is the oldest Church of North India. The Rink was the biggest
and the most happening roller skating rink in the country. The Savoy hotel was
the biggest hotel in the country in terms of area. The Park Estate, also known
as Sir George Everest house, was the residence cum office of the Sir George
Everest who was the then Surveyor General of the Royal Trigonometric Survey of
India. The residence and the observatory still exist at the Estate. Mussoorie
has been home to many great personalities of the past and present. The list is
long again but to mention a few names it includes Sir John Mackinnon, Sir Henry
Bohle, Sir Frederick ‘Pahari’ Wilson, Sir John Lang, Sir Jim Corbett, Maharani
Jinda Kaur of Punjab, Maharaja Duleep Singh of Punjab, Maharaja Rajendra Singh
of Kapurthala, Maharaja of Baroda, Maharaja of Jind and Rahul Sanskrityayan.
All the English gentlemen mentioned above, baring Sir Corbett, are resting in
peace in the cemeteries of Mussoorie. The well known residents of the present
time include Padamshree Ruskin Bond, Padamshree Tom Alter, Steve Alter, Victor
Banerjee, Pronoy Roy, Hugh and Colleen Gantzer, Kaka Hathrasi, Prem Nath, Prem
Chopra, Naseeruddin Shah, Sudhir Thapliyal, Ganesh Shaili, K.P. Singh, Vishal
Bhardwaj, Sachin Tendulkar, Sanjay Narang, Pritam Bhartawan, Uma Lall, Meena
Rana and Sanjay Kumola. Some of the historical facts related to Mussoorie
suggest that Sir George Everest measured the height of Mount Everest from here,
Rahul Sanskrityayan, who was an avid traveller, writer and master of seven
foreign languages, compiled his most famous volumes staying in Mussoorie and
noted Novelist Agatha Christie’s first ever novel ‘Mysterious affairs at
styles’ was based on an incident happened at the Savoy Hotel. More on the
heritage of Mussoorie can be checked in our ‘Historians’ section.
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